While preparing dinner, I listened to a YouTube piece on forgotten one-hit wonders of 1977, and for the first time since the late 1970's I heard a snippet of the song "Heaven on the 7th Floor" by Paul Nicholas, a hit that was never a favorite of mine, but it was certainly memorable. When Nicholas's name was mentioned, it rang a bell in my memory, and upon mulling it over I went "Nooooo..." and ran to the internet to check on what was jogging my brain.
The films of director
 Ken Russell are among my favorites for their sheer madness, and my 
search revealed that my memory of Nicholas's name was correct. He has 
prominent roles in two of my favorite Russell films, specifically TOMMY 
and LISZTOMANIA (both 1975). I saw TOMMY in during its theatrical run 
with my parents — notably, TOMMY was the final film we saw together as a
 family unit — but that was two years before "Heaven on the 7th Floor," 
and  I did not see LISZTOMANIA until I obtained a VHS copy during the 
late 1980's, and when viewing both of those for the first time, I did 
not not any of the actors' names, as situation that changed once I had 
both films on home video and went on to study them in depth over the 
next three decades.
Paul
 Nicolas has a brief-but-unforgettable role in TOMMY as the gleefully 
sadistic Cousin Kevin, complete with his own musical number that drags 
the audience along as Kevin spends a day torturing the deaf/dumb/blind 
titular character. 
But
 my favorite of his Russell performances is in LISZTOMANIA, where he has
 an ogoing and significant part throughout the film as composer/German 
nationalist Richard Wagner. It's an incredibly loopy and cartoonish 
portrayal that finds Wagner undergoing numerous visual changes to 
indicate his growing fascistic nationalism, among which are him becoming
 a vampire to leech off of composer Franz Liszt's music, only to be 
reborn in the 20th Century as a literal chimera of Frankenstein's 
monster and Adolph Hitler. 
The
 insane sight of a Frankenstein/Wagner/Hitler leading female children 
clad in cheesy Superman costumes (symbolizing the indoctrination of the 
German youth into the ideology of the Aryan superman) as he stiffly 
marches through a town, blasting fleeing orthodox Jews with an electric 
guitar machine gun made my jaw hit the floor when I first saw the film, 
and that image's audacity and sheer lunacy cracks me up to this day.
So, yeah, that was the guy who sang "Heaven on the 7th Floor."




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